The Bee Gees were a singing trio of brothers — Barry, Robin, and Maurice Gibb. The group was successful for most of its forty years of recording music, but the trio had two distinct periods of exceptional success: as a harmonic "soft rock" act in the late 1960s and early 1970s, and as the foremost stars of the disco music era in the late 1970s. The group sang three-part tight harmonies that were instantly recognizable; brother Robin's clear vibrato lead was a hallmark of their earlier hits, while Barry's R&B falsetto became a signature sound during the disco years. The three brothers co-wrote most of their own hits, as well as writing and producing several major hits for other artists.
Born on the Isle of Man to English parents, the family lived in various locales that included Chorlton-cum-Hardy, Manchester, England and Brisbane, Queensland, Australia where they began their musical careers. After early chart success in Australia, they returned to the United Kingdom where producer Robert Stigwood promoted them to a worldwide audience. It has been estimated that the Bee Gees' record sales total more than 200 million,[1] making them one of the best-selling music artists of all time. They were inducted into the Rock and Roll Hall of Fame in 1997; fittingly, the presenter of the award to "Britain's first family of harmony" [2] was Brian Wilson, historical leader of the Beach Boys, America's first family of rock harmony. Their Hall of Fame citation says "Only Elvis Presley, The Beatles, Michael Jackson, Garth Brooks and Paul McCartney have outsold the Bee Gees".[3]
Following Maurice's sudden death on 12 January 2003, Barry and Robin Gibb temporarily ended the group after forty-five years of activity. On 7th September 2009, Robin Gibb revealed that he and Barry Gibb had agreed that the Bee Gees would reform and "perform again
12” LP
12 Tracks: Featuring:
- Massachsetts
- Tomorrow
- Sir Geofrey Saved the world
- Sinking Ships
- Sweetheart
- The Singer Sang His Song
- New York Mining Disaster 1941
- Lamplight
- On Time
- Barker Of The UFO
- Close Another Door
- The Lord
Condition: Near Mint
Sleeve, Excellent
Released on the Pickwick Label
Date: 1972
Number: CN2002
All vinyl is played prior to dispatch to ensure good playback.
If you require further info` contact me.
Record Grading
The grading system I use when determining the condition of the vinyl is The 'Record Collectors' Grading System, taken from the Rare Record Price Guide book.
Mint (M) The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
Near Mint (NM) The record looks brand new with no scuffing or any deterioration in sound quality and only the smallest hint that its ever been played. The cover and any additional extras are clean, crisp and with no wear whatsoever.
Excellent (EX) The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
Very Good (VG) The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
Good (G) The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration, etc.
Fair (F) The record is still just about playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and/or defaced.
Poor (P) The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
I will not refund you if have not read and understood the grading system I use.
To illustrate my point: if I describe a record as Good (G), it's not brand new or excellent - sound quality has noticeably deteriorated and the cover may be damaged with splits or discoloration.
