Marillion are a British rock group. Formed in Aylesbury, Buckinghamshire, England in 1979, their recorded studio output comprises fifteen albums and is generally regarded as comprising two distinct eras, delineated by the departure of original vocalist & frontman Fish in late 1988 after their first four albums, and the subsequent arrival of replacement Steve Hogarth ("h") in early 1989. Marillion has thus far released eleven albums with Hogarth.
The core lineup of Steve Rothery (the sole 'pre-Fish' original member), Pete Trewavas, Mark Kelly and Ian Mosley is unchanged since 1984. The band has enjoyed critical and commercial success with a string of UK Top Ten hits spanning their career, an estimated fifteen million total worldwide album sales and even an entry into the Guinness Book of World Records.
The band's music has changed stylistically throughout their career. The band themselves have stated that each new album tends to represent a reaction to the preceding one, and for this reason their output is difficult to 'pigeonhole'. Their original sound (with Fish on vocals) is best described as guitar and keyboard led progressive rock or "neo-prog", and has sometimes been compared with 1970's era Genesis.[4][5]
Marillion are widely considered within the industry to have been one of the first mainstream acts to have fully recognised and tapped the potential for commercial musicians to interact with their fans via the Internet circa 1996, and are nowadays often characterised as a rock & roll 'Web Cottage Industry' The history of the band's use of the internet is described by Michael Lewis in the book Next: The Future Just Happened as an example of how the internet is shifting power away from established elites, such as record producers.
The band is also renowned for having an extremely dedicated following with some fans regularly travelling significant distances to attend single gigs, driven in large part by the close fan base involvement which the band cultivate via their website, podcasts, bi-annual conventions and regular fanclub publications.
12” LP
10 Tracks: Featuring:
- Pseudo Silk Kimono
- Kayleigh
- Lavender
- Bitter Suite
- Heart Of Lothian
- Waterhole (Expresso Bongo)
- Lords Of The Backstage
- Blind Curve
- Childhoods End
- White Feather
Condition: Near Mint
Sleeve, Excellent, gatefold with lyrics
Released on the EMI Label
Date: 1985
Number: EJ 2403401
All vinyl is played prior to dispatch to ensure good playback.
If you require further info` contact me.
Record Grading
The grading system I use when determining the condition of the vinyl is The 'Record Collectors' Grading System, taken from the Rare Record Price Guide book.
Mint (M) The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
Near Mint (NM) The record looks brand new with no scuffing or any deterioration in sound quality and only the smallest hint that its ever been played. The cover and any additional extras are clean, crisp and with no wear whatsoever.
Excellent (EX) The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
Very Good (VG) The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
Good (G) The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration, etc.
Fair (F) The record is still just about playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and/or defaced.
Poor (P) The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
I will not refund you if have not read and understood the grading system I use.
To illustrate my point: if I describe a record as Good (G), it's not brand new or excellent - sound quality has noticeably deteriorated and the cover may be damaged with splits or discoloration.