Diesel Park West are a rock band from Leicester , England .
Original line-up
Rich Barton (guitar, born July 1957)...Joined Sept.1988 to 1996.
The band was originally formed in 1980 as The Filberts (after local football team, Leicester City ’s former Filbert Street ground), although they would also occasionally appear as The Psychedelic Filberts. Their main influences come from the West Coast sound of 1960s bands like Moby Grape , Buffalo Springfield and Love . The main creative force in the band is Butler, who writes nearly all the band's material. Butler and Moth (who had also played the sticks for local Leicester heroes Gypsy ) had previously played together in a short-lived band called The Flicks, releasing one album in 1979 called Go For The Effect . Three Psychedelic Filberts tracks were released - a cover of The Byrds ' "Lady Friend" on the Obscure Independent Classics volume 2 LP, a cover of The Beatles "Rain" which was included on Yeah Yeah Noh 's final release, the Temple Of Convenience EP , and "Atlantis 1968", which appeared on the He Didn't Even Draw A Fish On My Shower Curtain compilation.
Butler was a mainstay of the Leicester music scene for many years and had toured America extensivley with Mott the Hoople offshoots Widowmaker .
After recruiting Willson (formerly of Heavy Metal band Brooklyn) and Beavan (formerly of Agony Bag[ 2] ) the band started a long period of writing and recording in their Barkby Road studios. During this time they amassed a huge amount of songs, honing their skills and trying to get record company attention.
In 1986, Willson released a solo single - "Help Me" under his own name, backed with a cover of Charley Pride 's "Crystal Chandeliers" under the pseudonym Lee Verne .
Though the band released a one-off single as The Come On called 'Guitar Party' in 1984, they were finding it hard for their music to be heard above the din of electronic blips and burps that summed up the mainstream music of the mid-80's. Was the world ready for a Leicester Moby Grape ?
They got their answer on Good Friday 1987, when Butler received a call from David Balfe from the small indie label Food Records . Balfe, who had previously been in The Teardrop Explodes , said that the demos he heard had moved him to tears (of joy, presumably) and they were subsequently signed to Food.
Balfe, however was not happy with the bands name and told them to change it. Eventually they came up with Diesel Park West, based on the fact that Barkby Road Studios was in a lorry park in the west of Leicester.
August 1987 saw the release of band’s debut single, ‘When the Hoodoo Comes’. It began to get airplay on late night radio shows and word of mouth about the band started to spread. EMI were very interested in the band, and bought Food records in order to get them. This gave Diesel Park West a great boost,they were now part of a major record label. Mick Salisbury joined the band at around this time as third guitarist.
7” SINGLE
A side: Like Princes Do
B side: Two Wings Of Delight
Condition: Excellent
Sleeve, Excellent
Released on the EMI Label
Date: 1989
Number: Food 19
All Vinyl played before dispatch to ensure good playback.
If you require further info` contact me.
Record Grading
The grading system I use when determining the condition of the vinyl is The 'Record Collectors' Grading System, taken from the Rare Record Price Guide book.
Mint (M) The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
Near Mint (NM) The record looks brand new with no scuffing or any deterioration in sound quality and only the smallest hint that its ever been played. The cover and any additional extras are clean, crisp and with no wear whatsoever.
Excellent (EX) The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
Very Good (VG) The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
Good (G) The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration, etc.
Fair (F) The record is still just about playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and/or defaced.
Poor (P) The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
I will not refund you if have not read and understood the grading system I use.
To illustrate my point: if I describe a record as Good (G), it's not brand new or excellent - sound quality has noticeably deteriorated and the cover may be damaged with splits or discoloration.