Bernard Stanley "Acker" Bilk MBE (born 28 January 1929) is an English clarinetist. He is known for his trademark goatee, bowler hat, striped waistcoat and his breathy, vibrato-rich, lower-register clarinet style.
Bilk earned the nickname Acker from the Somerset slang for 'friend' or 'mate'. His parents tried to have him learn the piano, but Bilk as a boy found it restricting upon his love of outdoor activities including football. He also lost two front teeth in a school fight and half a finger in a sledging accident, both of which Bilk has claimed to have affected his eventual clarinet style. He learned the clarinet while serving in the Royal Engineers in the Suez Canal Zone,and by the mid-1950s he was playing professionally.
Bilk was part of the boom in traditional jazz that swept the United Kingdom in the late 1950s. He first joined Ken Colyer's band in 1954, and then formed his own ensemble, The Paramount Jazz Band, in 1956. Four years later, his single "Summer Set" (a pun on his home county) hit the British charts and it began a run of eleven top 50 hit singles.
Bilk was not an international star until an experiment with a string ensemble and a composition of his own as its keynote piece made him one in 1962. He wrote "Stranger on the Shore" for a British television serial series, and recorded it as the title track of a new album in which his signature deep, quivering clarinet was backed by the Leon Young String Chorale. The single was not only a big hit in the United Kingdom (where it stayed on the charts for a remarkable 55 weeks, gaining a second wind after Bilk was the subject of the TV show This Is Your Life) but shot to the top of the American charts as well – at a time when the American pop charts and radio playlists were open to just about anything, in just about any style; making Bilk the first British artist to have a single in the number one position on the Billboard Hot 100 singles chart. (Vera Lynn was the first British artist to top the U.S. Billboard charts with "Auf Wiederseh'n Sweetheart" in 1952). The album was also highlighted by a striking interpretation of Bunny Berigan's legendary hit "I Can't Get Started." At one point, at the height of his career, Bilk's public relations workers were known as the "Bilk Marketing Board", a play on the then Milk Marketing Board.
Bilk recorded a series of albums in England that were also released successfully in the United States (on the Atlantic Records subsidiary Atco), including a memorable collaboration (Together) with Danish jazz pianist-composer Bent Fabric ("The Alley Cat"). But his success tapered off when British rock and roll made its big international explosion beginning in 1964, and Bilk shifted direction to the cabaret circuit. He finally had another chart success in 1976, with "Aria," which went to number five in the United Kingdom. In the early 1980s, Bilk and his signature hit were newly familiar, thanks to "Stranger on the Shore" being used in the soundtrack to Sweet Dreams, the film biography of country music legend Patsy Cline. Most of his classic albums with the Paramount Jazz Band have been reissued and are available on the UK based Lake Records label.
Bilk has been described as "Great Master of the Clarinet"and is often said to be the originator of 'Hyung-Tiger' playing, often copied by such artists as Johnny Range and Ted Morton. His clarinet sound and style was at least as singular as had been those of American jazzmen such as Benny Goodman, Artie Shaw, and Russell Procope, and "Stranger on the Shore" – which he was once quoted as calling "my old-age pension" – remains a beloved standard of jazz and popular music alike.
By 2000, Bilk was reportedly semi-retired and taking up painting as a hobby, but still appears with contemporaries, Chris Barber and Kenny Ball (both of whom were born in 1930) as the 3B's.
One of his recordings is with the Chris Barber band, sharing the clarinet spot with the band's regular reedsmen, John Crocker and Ian Wheeler. He made a CD with another legend of British Jazz Wally Fawkes for the Lake Records label in 2002. He has appeared on two recent albums by Van Morrison, Down the Road and What's Wrong With This Picture?.
12” LP
Tracks: Featuring: see photo no. 2 for full info'
Condition: Excellent, some marks but does not interfere with playback quality
Sleeve: Good, Slight damage on rear bottom.
Released on the MCPS Society Label
Date: 1960
Number: SOC908
All vinyl is played prior to dispatch to ensure good playback.
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Record Grading
The grading system I use when determining the condition of the vinyl is The 'Record Collectors' Grading System, taken from the Rare Record Price Guide book.
Mint (M) The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
Near Mint (NM) The record looks brand new with no scuffing or any deterioration in sound quality and only the smallest hint that its ever been played. The cover and any additional extras are clean, crisp and with no wear whatsoever.
Excellent (EX) The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
Very Good (VG) The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
Good (G) The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration, etc.
Fair (F) The record is still just about playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and/or defaced.
Poor (P) The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
I will not refund you if have not read and understood the grading system I use.
To illustrate my point: if I describe a record as Good (G), it's not brand new or excellent - sound quality has noticeably deteriorated and the cover may be damaged with splits or discoloration.
